From the first moment the awe-inspiring effects of "Terminator 2" flickered across my teenage screen, I was enchanted. That curiosity burgeoned into a lifelong pursuit of the alchemy that breathes life into every frame, every scene.
Thirty years on, with countless projects under my belt, my commitment to the art of visual storytelling has not wavered. It's not just about delivering projects; it's about those endless nights chasing the perfect interplay of shadow and light, the relentless drive to elevate a narrative beyond the confines of the spoken word.
As a seasoned CG/VFX Supervisor, my mission is simple yet profound: to forge a team united by passion, a collective of visionaries whom I lead, support, and inspire. Together, we craft worlds that captivate, characters that resonate, and experiences that linger. We don't just tell stories; we make believers.
Each venture is more than a project; it's a promise, a promise to translate every line of dialogue into a palpable experience, unfettered and pure. In this realm of infinite possibilities, I am both guardian and guide, committed to the magic and the mechanics that make the impossible undeniably real.
Join me in this relentless quest to envision, to excite, to enthrall.

Embracing the creative reins, I've returned to the roots of my passion as an independent CG/VFX Supervisor, committed to pioneering new realms of visual storytelling.

"The Medieval," a landmark in Czech cinema and the most ambitious project to date, graced theaters worldwide. Featuring an illustrious cast with Ben Foster, Sophie Lowe, Michael Caine, and more, I led as the principal VFX supervisor, weaving visual marvels into the fabric of this epic narrative.

A milestone marked by the release of "Harvie and the Magic Museum," my inaugural foray into the enchanting world of full CGI animation films where I helmed the role of principal CG Supervisor.

ProgressiveFX, now PFX, sprang to life from the rich soil of my accumulated experiences. With a burgeoning need for expansion and a sophisticated CG/VFX pipeline, I partnered with producer Jiri Mika. Our collaboration catapulted PFX into a new era, drawing in a wealth of film and advertisement projects. A decade later, our studio boasts nearly two hundred artists, technicians, and multiple international studios.

My entrepreneurial spirit bore fruit in the form of my first post-production studio, specializing in Digital Environments and Set Extensions. Our work on premier projects across Europe and North America set the stage for greater ventures ahead.

The American dream became a reality as I moved to the USA to collaborate with Joe Kosinski, an artist whose talent is paralleled by few. This era also sparked my fascination with Stanley Kubrick's iconic design and narrative technique.

Diving into the realm of Digital Environments, I began to explore the intricate dance of pixels and illusions that construct our alternate realities on screen.

"Kamenny Most," my first feature film engagement, saw me crafting special effects magic, earning my initial film credits and setting a precedent for a career defined by innovation.

My industry inception was as a Technical Director, swiftly advancing to roles as an FX TD and Lighting Artist, laying the foundation for a journey through the alchemy of light, shadow, and digital wizardry.